Karl Gerstner’s work is a milestone in the history of design. Designing Programmes is one of his most important works: in four essays, the author provides a basic introduction to his design methodology and suggests a model for design in the early days of the computer era. The book is especially topical and exciting in the context of current developments in computational design. With many examples from the worlds of graphic and product design, music, architecture, and art, it inspires the reader to seize on the material, develop it further, and integrate it into his or her own work. – Harald Geisler, 2007
The picture shows the cover of the 2nd edition from 1968. A personal note, written with a pencil from the author in german, telling me that “program” is the contemporary notation.
Revised reprint, original 1964
19.5 × 25 cm, 7 ¾ × 9 ¾ in
120 pages, 200 illustrations
2007, ISBN 978-3-03778-093-0
2007, ISBN 978-3-03778-092-3
EUR 30.– GBP 30.–
USD / CAD 40.–
The University of Art and Design Offenbach assigned me to design a poster for an event commemorating Max Bill in 2010.
Slanted Magazine reproduced that poster in Slanted #14 “Grotesque 2 Quatation”. Issue #14 is focusing the usage of fonts without serifs.
“The White Snickers”
For the anual report 2010 of the University of Art an Design Offenbach, I wrote a two sided contribution about my diploma thesis “The White Snickers” or “The Designers Trace in the Matter”.
338 Pages, incl. DVD
Ciseaux MatisseTypodarium 2011
Linotype: Playing with Fonts
No212 #13 Magazin
Further contributers were: Valentin Beinroth, Simone Brinkmann, Kennedy Blair, Adam Drobiec, Harald Geisler, Uli Goll,
Thorsten Grimm, Michael Hirt, Mikko Hilgert, Lars Hopstock, Till Hopstock, Florian Jenett, Elisa Jolas,
Kathi Kaeppel, Jan Lotter, Sangram Singh Pabla, Beate Pietrek, Valerie Sietzy, Niel Smith,
Gregor Maria Schubert, Geoffrey Williamson, Miriam Otte, Natalia Zlateva.